Nur-ud-din Mohammad Salim Jahangir

Nur-ud-din Mohammad Salim, known by his imperial name Jahangir (30 August, 1569-28 October, 1627), was the fourth Mughal Emperor who ruled from 1605 until his death in 1627.

Jahangir was the eldest surviving son of Mughal Emperor Akbar and was declared successor to his father from an early age. Impatient for power, however, he revolted in 1599 while Akbar was engaged in the Deccan. Jahangir was defeated, but ultimately succeeded his father as Emperor in 1605 due to the immense support and efforts of his step-mothers, Empress Ruqaiya Sultan Begum and Salima Sultan Begum, both of whom wielded great influence over Akbar and favoured Jahangir as his successor.^[1] The first year of Jahangir's reign saw a rebellion organized by his eldest son Khusrau Mirza. The rebellion was soon put down; Khusrau was brought before his father in chains. After subduing and executing nearly 2000 members of the rebellion, Jahangir blinded his renegade son.

 

Jahangir built on his father's foundations of excellent administration, and his reign was characterized by political stability, a strong economy and impressive cultural achievements. The imperial frontiers continued to move forward—in Bengal, Mewar, Ahmadnagar and the Deccan. The only major reversal to the expansion came in 1622 when Shahanshah Abbas, the Safavid Emperor of Persia, captured Kandahar while Jahangir was battling his rebellious son, Khusrau in Hindustan. The rebellion of Khurram absorbed Jahangir's attention, so in the spring of 1623 he negotiated a diplomatic end to the conflict. Much of India was politically pacified; Jahangir's dealings with the Hindu rulers of Rajputana were particularly successful, and he settled the conflicts inherited from his father. The Hindu rulers all accepted Mughal supremacy and in return were given high ranks in the Mughal aristocracy.

 

Jahangir was fascinated with art, science and, architecture. From a young age he showed a leaning towards painting and had an atelier of his own. His interest in portraiture led to much development in this artform. The art of Mughal painting reached great heights under Jahangir's reign. His interest in painting also served his scientific interests in nature. The painter Ustad Mansur became one of the best artists to document the animals and plants which Jahangir either encountered on his military exhibitions or received as donations from emissaries of other countries. Jahangir maintained a huge aviary and a large zoo, kept a record of every specimen and organised experiments. Jahangir patronized the European and Persian arts. He promoted Persian culture throughout his empire. This was especially so during the period when he came under the influence of his Persian Empress, Nur Jahan, and her relatives, who from 1611 had dominated Mughal politics. Amongst the most highly regarded Mughal architecture dating from Jahangir's reign is the famous Shalimar Gardens in Kashmir. The world's first seamless celestial globe was built by Mughal scientists under the patronage of Jahangir.

 

Jahangir, like his father, was not a strict Sunni Muslim; he allowed, for example, the continuation of his father's tradition of public debate between different religions. The Jesuits were allowed to dispute publicly with Muslim ulema (theologians) and to make converts. Jahangir specifically warned his nobles that they "should not force Islam on anyone.” Jizya was not imposed by Jahangir. Edward Terry, an English chaplain in India at the time, saw a ruler under which "all Religions are tolerated and their Priests [held] in good esteem." Jahangir enjoyed debating theological subtleties with Brahmins, especially about the possible existence of avatars. Both Sunnis and Shias were welcome at court, and members of both sects gained high office. Sir Thomas Roe, England's first ambassador to the Mughal court, went as far as labelling Jahangir, who was sympathetic to Christianity, an atheist.

Jahangir was not without his vices.

 

He set the precedent for sons rebelling against their emperor fathers and was much criticised for his addiction to alcohol, opium, and women. He was thought of allowing his wife, Nur Jahan, too much power and her continuous plotting at court is considered to have destabilized the imperium in the final years of his rule. The situation developed into open crisis when Jahangir's son, Khurram, fearing to be excluded from the throne, rebelled in 1622. Jahangir's forces chased Khurram and his troops from Fatehpur Sikri to the Deccan, to Bengal and back to the Deccan, until Khurram surrendered unconditionally in 1626. The rebellion and court intrigues that followed took a heavy toll on Jahangir's health. He died in 1627 and was succeeded by Khurram, who took the imperial throne of Hindustan as the Emperor Shah Jahan. Jahangir is considered one of the greatest Mughal Emperors by scholars and the fourth of the Grand Mughals in Indian historiography. Much romance has gathered around his name, and the tale of his illicit relationship with the Mughal courtesan, Anarkali, has been widely adapted into the literature, art and cinema of India.